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缓步几何 | 嘉善“智慧科学城」毓厅构筑设计

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【引言】

玛格利特在其《人生前提》续篇《欧几里得缓步》中 ,将窗表的乡下田园与蓝天 ,换为了城市的屋顶与街路;多年之后 ,他又回顾起窗表的落日 ,用打碎的玻璃将景致分化为几何的片段 ,起名《暮晚》。


Prologue

Rene Magritte, in his "The Human Condition"sequel "Euclidean Walks ", exchanged the countryside and blue skyoutside the window for the roofs and streets of the city. After many years,when he recalled the setting sun outside the window, he employed the brokenglass to disassemble the landscape into fragments of the geometry, and the namedthe work "Evening Fall ".

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此刻 ,几何学已主宰了当下的城市与景观 ,玛格利特迷失田园的钥匙 ,我们认可构筑对天然的几何节造 ,并妄图寻找一种打开方式 ,让几何徜徉于天然 ,人们缓步于其中。


Nowadays, geometry has dominated the currentcity and landscape, Margaret lost the key to the field, we admit the geometriccontrol of architecture on nature, and try to find a way to break, let geometrypromenade in nature, people roam in it.

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【设计概况】

基职位于浙江嘉善县紧靠上海地界 ,是浙江出入上海的要冲 ,周边交通忙乱有序。三角形地块并不则 ,一侧是城市扩大而产生的连缀不绝构筑景观 ,另一侧是亟待启发的绿野桑田 ,剩下一侧是满负荷运行的铁路枢纽。发展商必要在这样的一个地块中建设一个能够展示区域价值的地标构筑 ,它是新城建设的起点 ,未来形象的标杆 ,荟萃人气 ,服务于民。


Project Overview

The base is located in Jiashan County,Zhejiang province, which is close to the boundary of Shanghai. It is the keypoint for entering and leaving Shanghai in Zhejiang Province, with the busy butorderly surrounding traffic. The triangular plot is irregular, on one side isthe continuous architectural landscape generated by the urban expansion, on theother side is the green field to be developed urgently, while on another sideis the railway running at full load. The developers needs to build a landmarkbuilding in such a plot that can show the value of the region. It is thestarting point of the new city construction, the benchmark of the future imagewhich enable to gather popularity and serve the people.

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规划覆盖率和构筑高度限度严苛 ,从整体角度启程 ,我们凭据分歧朝向选取分歧的应对规划。


Planning volume ratio and building heightrestrictions are severe. Thus from an overall perspective, we adopted differentstrategies according to different orientations.

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北部面向城市一侧 ,我们将构筑抬起 ,达到规划限造的高度 ,与城市界面比肩而望 ,维持与城市的对话 ,同时也是构筑整体状态的起点;乜拷谐倒炻芬徊 ,构筑逐步升起 ,与另一侧高耸的立面订交而产生三角形的状态 ,构建出一种不变的意向和向上的趋向。


On the northern side facing the city, we liftthe building up to the height defined by the restriction, to overlook the cityinterface, maintaining a dialogue with the city, which is also the start of theoverall form of the building. On the side which is adjacent to the train tracks, the building rises gradually, connecting with thetowering facade on the other side to generate a triangular shape, establishinga firm condition and upward trend.

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面对绿野桑田 ,我们适当的掀起大地的一个角 ,让构筑与天然景观更好的融合。在构筑的中部 ,通过渐开曲面对三角体量进行切割 ,形成一个内凹状态的曲面墙体 ,天然围合出中心广场 ,并在曲面中部通过形体变动将其一分为二。


Facing the green field, we lifted a corner ofthe ground appropriately to integrate the architecture with the naturallandscape better. In the middle of the building, the triangular volume is cutby curved surface to form a concave curved wall, which naturally encloses thecentral square while the interface is divided into two part by changing themorphology in the middle of the curved surface.

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【曲面陶砖】

构筑中部渐开曲面的弧墙 ,就是体现资料地域特点的试验场。我们注意到周边传统民居中普遍选取的灰色陶砖 ,朴质温润 ,很有文人笔下的烟火气味 ,是地域性特点的载体 ,就像江南人家的素布表衣 ,展示的是日常点点滴滴 ,也像街角巷尾的交错陆离 ,刻画的是场所怪异影象。


Curved Ceramic Bricks

The curved wall in the middle of thebuilding, is the testing ground reflecting the regional characteristics ofmaterials. We have noticed that the gray ceramic bricks commonly used in thesurrounding traditional dwellings are simple, warm, and full of the atmosphereof everyday life written by scholars. They are carriers of genius loci, justlike the plain dress of Jiangnan area showing the daily life, as well as thehustle and bustle of street which depicts the unique memory of the place.

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因而我们思虑着将这样的青砖使用到曲面墙体的砌筑中 ,用这样一种粗粝且乡土的资料来建造这个柔和且现代的墙体。


So we thought about applying grey bricks tothe masonry of curved walls, and using such a rough and indigenous l materialto build this soft and modern wall.

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【表廊竖杆】

在我们构筑表立面中 ,选取表廊状态演化而成的灰空间 ,但愿创造更多故事性载体。同时富于韵律变动的立面杆件 ,在分歧角度阳光中产陌生密阴影变动 ,是天然律动的状态化体现 ,让人们享受光线变动的奥妙氛围。


Vertical poles of Veranda

In the facade of our building, we adopt thegrey space evolved from the traditional outer gallery form, to create moreinterfaces for scenarios. At the same time, the rhythmic fa?ade poles producechanges in density and shadow under different angles and sunlight, which is themorphological embodiment of natural rhythm, allowing people to enjoy the subtleatmosphere of light changes.

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若是讲曲面陶砖有着粗野主义美学的偏差 ,体现的是男性的坚毅与粗犷 ,那么立面杆件应该赋予典雅主义秩序的特点 ,如同女性的温婉与细腻。平衡构筑的整体质感 ,让使用者对构筑产生更丰硕的认知。我们无法像阿尔瓦阿尔托那样使用昂贵的实木大料来开释他的天然主义情结 ,但能够用木纹转印铝合金板材来刻画木材专属的表表 ,包办冰凉严格的构件让构筑有一分柔软的温度。


If the curved ceramic bricks has a tendencyof brutalism aesthetics, reflecting the masculinity and ruggedness of men, thenthe vertical poles of facade should be endowed with the characteristics of theorder of elegance, just like the softness and delicacy of women. Balance theoverall texture of the building, so that users have a richer understanding ofit. We can't release naturalistic complex by using expensive timber as AlvaAlto, instead, we use wood grain transfer aluminum alloy plate to depict thewood exclusive surface, replacing the cold and harsh components to givebuilding a soft temperature.

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【缓步几何】

我们但愿营造一套综合的履历系统 ,这就是我们所塑造的蹊径与空间——“缓步几何”。


Promenade the Geometry

We want to create a comprehensive experiencesystem, which is the path and space we shape -" Promenade the Geometry".


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缓步的起点是基地的表场 ,屏蔽路路的喧哗 ,我们将入口的蹊径进行了拉长 ,在两侧进行景观的营造 ,仿照出丛林缓步的履历感 ,突破蹊径过长而产生与主体构筑的不平衡性。


The starting point of the promenade is the outfieldof the site, to shield the noise of the road. We lengthen the path of theentrance and create the landscape on both sides to simulate the experience oframbling in the forest, breaking the imbalance between the long path and themain building.

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进入内场后 ,构筑的全貌便在广场中展示:一侧是宛如风吹麦浪的立面竖杆 ,一侧是慢慢与大地融合的构筑状态 ,中部是优雅的陶砖曲墙以及供人们休息的看台座椅。它们共同组成了构筑最重要的立面 ,在午后光耀的阳光中 ,让前广场有着充分的围合感和可阅读性。


After entering the infield, the overall imageof the building is displayed in the square: vertical poles on one side are likewheat waves stirred by wind, on the other side is the building form thatgradually blends with the earth, and in the middle is the elegant curvedceramic brick wall as well as seats for people to rest. Together, they form thebuilding's main facade, giving the front square an enclosed and tangiblefeeling in the heat of the afternoon sun.

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通过构筑左侧的长廊参观者进入构筑内部:险些是表部曲线围合的延长 ,室内充斥了明确椭圆状态的体量 ,统一了表部状态中的几何性 ,内表形成一致的构筑说话 ,让观者履历天然过渡。


Visitors enter the interior of the buildingthrough the veranda on the left: it is almost an extension of the externalcurve. The interior is filled with volumes in a clear elliptic form, unifyingthe geometry in the external form and forming a consistent architecturallanguage allowing visitors to experience the natural transition.

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顺着室内空间的流动 ,在廊架空间的下部是一天然形成的灰空间展示区 ,它出现出一种几何状态的复杂性 ,让缓步其间的参观者寻找到更多停顿的角落 ,充斥故事性与不确定性。


Following the flow of the interior space, the space under the veranda isan exhibition area of natural grey space, which presents a complexity ofgeometric state, enabling the visitors to find more corners to stay, full ofdramas and uncertainty.?

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灰空间的出口是曲面陶砖墙体上那路缝隙 ,这路体量上的“裂缝”奇妙在于让单纯的几何状态有了更多的可能性 ,并解决了材质和职能交代时的抽象不清 ,同时形成缓步流线上的必然通路。


The utter of the grey space is the gap on thecurved brick wall. The "crack" on the volume ingeniously makes thepure geometry more possible, and solving the ambiguity of connection in termsof materials and functions, while forming the inevitable passage on thepromenade.


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构筑的屋面如同场地的延长。缓步其上 ,舒缓的坡杜纂行走的顺畅 ,屏蔽周遭看着远处缥缈空灵的烟云 ,你会失去沉力的方向 ,产生奇妙的错觉——你行走在悬浮于天际的一块绿地中 ,充斥耐人寻味的纯正感。


The roof of the building is like an extensionof the site. Walking on it, the smooth promenade and gentle slope, making youshield the surroundings chaos and overlook at the distant misty clouds, thenyou will lose the direction of gravity and have a fantastic illusion -- you arewalking in a green field floating in the sky which full of a sense of profoundpurity.

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步行至此 ,我们尝试“缓步几何”的索求或许也靠近了最后状态:直面天然 ,屏蔽混乱 ,放下意识的沉淀 ,产生敬畏与崇拜。


After walking here, our exploration of"promenade the geometry" also be approaching the final state: wherewe can face nature directly, shield chaos, let go of the precipitation ofconsciousness, and producing awe and worship.

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【尾声】

我们通过抽象化的几何状态塑造出广场、曲墙、门廊、坡路等多元性场所 ,在满足职能要求与地标形象的同时 ,赋予构筑更强的履历感和沉浸感 ,缓步其中 ,让使用者获得一份更明澈的内心感触。


Epilogue

Through abstract geometric morphologies, wecreate pluralistic places such as squares, curved walls, veranda and ramps,which not only meet the functional requirements and landmark images, but alsoentrust the building a stronger sense of experience and immersion, bypromenading among the building, users can get a clearer inner feeling.


注明: 微信图片_2020082619315911

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项目信息

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项目名称:上海之窗-枫南幼镇(智慧科学城)基础设施工程一期

业主单元:中国金茂 嘉善嘉茂建设开发有限公司

构筑设计:1xBET 构筑二所

公司网站:www.thape.com

建成年份:2020年9月

构筑面积:总面积3547平方米 ,其中地上1162平方米

项目地址:浙江省嘉善县

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构筑总掌管人:陈海涛

构筑掌管人:王图画 ,吴其华

构筑设计团队:胡彪 ,徐鹭加 ,王欣

业主治理团队:杨振宇 ,廖志强 ,宣翔 ,刘海林 ,赵磊 ,罗晋 ,倪文峰 ,曹茜茜 ,丘科 ,李日昌 ,陈城 ,蒋明 ,曹昕 ,陈璇 ,章子豪

构筑摄影:尹明 ,部门业主提供

陶土砖:宜兴凯华陶瓷有限公司??????

铝单板:商丘双欧板业有限公司???

玻璃原片:台玻???

深加工:东海县亚连玻璃有限公司

 
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